The Rolling Stones' Psychedelic Experiment: Their Satanic Majesties Request 1967 Rar
The Rolling Stones are known for their bluesy rock 'n' roll, but in 1967 they ventured into the psychedelic realm with their album Their Satanic Majesties Request. The album was released in December 1967 by Decca Records in the UK and by London Records in the US, and it was their first to be released in identical versions in both countries[^3^]. The album was a response to the Beatles' Sgt. Pepper's Lonely Hearts Club Band, which had been released in June 1967 and had set a new standard for studio experimentation and concept albums.
Their Satanic Majesties Request features some of the most adventurous arrangements and instrumentation in the Stones' catalog, incorporating African rhythms, Mellotrons, orchestration, and synthesizers. The album also features the debut writing and singing credit of bassist Bill Wyman on the song \"In Another Land\", which he recorded as a solo project. The album cover, designed by Michael Cooper, features a 3D lenticular image of the band dressed in colorful costumes and surrounded by celebrities and friends. The cover also includes a hidden message that reads \"We Love You Beatles\" when viewed from a certain angle.
The album received mixed reviews from critics and fans, who were either fascinated or disappointed by the Stones' departure from their usual style. Some of the songs, such as \"She's a Rainbow\", \"Citadel\", and \"2000 Light Years from Home\", have become classics, while others, such as the lengthy jam \"Sing This All Together (See What Happens)\", have been criticized as filler. The album also suffered from some technical problems, such as poor mixing and mastering, which affected its sound quality. In 2017, the album was reissued for its 50th anniversary, featuring newly remastered versions of both the stereo and mono mixes by Bob Ludwig at Gateway Mastering[^2^].
Their Satanic Majesties Request is a unique and intriguing entry in the Stones' discography, reflecting the cultural and personal circumstances of the band and their era. It is a rare glimpse into the Stones' psychedelic side, which they would never explore again after returning to their roots in 1968 with Beggars Banquet. It is an album that deserves to be revisited and appreciated for its daring and creative spirit.
The album title Their Satanic Majesties Request is a parody of the official style of the British monarch, which reads \"By the Grace of God, of the United Kingdom of Great Britain and Northern Ireland and of Her other Realms and Territories Queen, Head of the Commonwealth, Defender of the Faith\". The title was suggested by Mick Jagger, who was inspired by a newspaper headline that read \"Their Majesties Return\". The album also features a spoken introduction by Jagger, who says \"Where's that joint\" before welcoming the listeners to the record.
The album was recorded between February and October 1967 at Olympic Studios in London, with some additional sessions at Pye Studios and Sound Techniques. The recording process was chaotic and difficult, as the band members were facing various personal and legal troubles, such as drug arrests, court cases, and jail sentences. The band also had little guidance from their producer and manager Andrew Loog Oldham, who left them halfway through the sessions due to creative differences and frustration. The band had to produce the album themselves, with the help of engineers Glyn Johns and Eddie Kramer. The album also marked the beginning of the decline of Brian Jones, who was suffering from drug addiction and mental health issues. Jones contributed some exotic instruments to the album, such as sitar, mellotron, flute, and saxophone, but his role in the band was diminishing.
The album was released on 8 December 1967 in the UK and on 9 December 1967 in the US. It reached number 3 on both the UK Albums Chart and the US Billboard 200 chart. It was certified gold by the RIAA in 1968. The album received mixed reviews from critics, who praised some of the songs but criticized others as self-indulgent and derivative. Some critics also compared the album unfavorably to Sgt. Pepper's Lonely Hearts Club Band, which had been widely acclaimed as a masterpiece. The album also divided the fans, who were either intrigued or alienated by the Stones' psychedelic experiment. The band themselves had mixed feelings about the album, with some expressing regret and others defending it as a creative risk. aa16f39245